< Prev 

 

Emmett Till

WANDA COLEMAN

August 28, 2020

 

1

river jordan run red

rainfall panes the bottom acreage - rain
black earth blacker still

blackness seeps in seeps down
the mortal gravity of hate-inspired poverty
Jim Crow nidus

the alabama the apalachinola the arkansas the aroostoock
the altamaha

killing of 14-year old
stirs nation. there will be a public wake

works its way underground
scarred landscape veined by rage

sanctified waters flow
go forth

the big horn the brazos

along roan valley walls blue rapids
wear away rock
flesh current quickly courses thru
the front page news amber fields purple mountains
muddies

the chattahoochie the cheyenne the chippewa the cimarron
the colorado the columbia the connecticut the cumberland

waftage

spirit uplifted eyes head hurt
imitation of breath chest aheave
the grotesque swim up the styx
level as rainwater culls into its floorplan

the des moines

blood river born

2

ebony robe aflow
swathed hair of the black madonna
bereft of babe

the flint

the hazel eye sees
the woman
she fine mighty fine
she set the sun arising in his thighs

the hudson the humbolt the illinois

and he let go a whistle
a smooth long all american hellelujah whistle
appreciation. a boy
coming into manhood whistle. a ma’am
what I’d like to do some day to some woman look as good
as you do to me whistle

the james the klamath

but she be a white woman. but he be
a black boy

the maumee the minnesota the mississippi the missouri
the mohican

raping her with that hazel eye

the ohio

make some peckerwood pass water mad
make a whole tributary of intolerance

the pearl the pecos the pee dee the penobscot the north platte
the south platte the potomac

vital fluid streaming forth in holy torrents

think about it. go made go blind
go back to africa go civil rights go go

the red the white the green

run wine

3

silt shallows the slow sojourn seaward

they awakened him from sleep
that early fall morning
scared white
they made him dress
they hurried Emmett down to the water edge

the roanoke

after the deed
they weighted him down
tossed him in
for his violation

the sacramento the salt the san juan the savannah
the smoke

from the deep dank murk of consciousness a birth
oh say do you see the men off
the bank dredging in that
strange jetsam

the tennessee the trinity

a lesson
he had to be taught -crucified (all a nigger
got on his mind) for rape by eye that
wafer-round hazel offender plucked out
they crown him

the wabash

cuz she was white woman virtue and he
be a black boy lust

the yazoo the yellowstone

oh say Emmett Till can you see Emmett Till
crossed over into campground

spill tears
nimbus threatening downpour
sweetwater culls into its soulplain

come forth to carry the dead child home

4

at my mouth forking

autumn 1955, lord!
kidnapped from his family visit
lord!
money road shanty
lord!
his face smashed in
lord! lord!
his body beaten beyond cognition

river mother carries him
alay in state
sovereign at last

that all may witness true majesty
cast eyes upon

murder

the youth’s body too light
was weighted down in barbed wire and steel

dumped into the river agape a ripple a wave
(once it was human)

aweigh. awade in water. bloated
baptised

and on that third say awaft
from the mulky arm of the tallahatchie
stretched across cotton-rich flats
of delta

on that third day
he rose

and was carried forth to that promise land

 

WANDA COLEMAN — poet, storyteller and journalist — was born and raised in South Central Los Angeles. Coleman was awarded the prestigious 1999 Lenore Marshall Poetry Prize for Bathwater Wine from the American Academy of Poets, becoming the first African-American woman to ever win the prize, and was a bronze-medal finalist for the 2001 National Book Award for Poetry for Mercurochrome. Wicked Enchantment: Selected Poems edited by Terrence Hayes will be the first new collection of her work since her death in 2013.


CREDIT
Coleman, Wanda. "Emmett Till." Callaloo  27 (1986), 295-299. © 1986 Johns Hopkins University Press.  Reprinted with permission of Johns Hopkins University Press and The Estate of Wanda Coleman.



< Prev